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Francisco Goya
The Colossus
mk214
c.1808-12
Oil on canvas
116x105cm
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Francisco Goya
Knife Grinder
mk214
c.1808-12
Oil on canvas
68x50.5cm
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Francisco Goya
Water Seller
mk214
c.1808-12
Oil on canvas
68x52cm
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Francisco Goya
Lastima es q no te ocupes en otra cosa
mk214
20.3x14cm
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Francisco Goya
Majas on a Balcony
mk214
c.1808-12
Oil on canvas
162x107cm
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Francisco Goya
Maja and Celestina on a Balcony
mk214
c.1808-12
Oil on canvas
166x108cm
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Francisco Goya
Time
mk214
c.1810-12
Oil on canvas
181x125cm
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Francisco Goya
Les Jeunes
mk214
c.1812-14
Oil on canvas
181x125cm
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Francisco Goya
The Forge
mk214
c.1817
Oil on canvas
181.6x125cm
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Francisco Goya
Three Men Digging
mk214
c.1817
Sepia wash
20.6x14.3cm
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Francisco Goya
Ferdinand VII
mk214
1814
Oil on canvas
225.5x124.5cm
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Francisco Goya
Self-Portrait
mk214
1815
Oil on panel
51x46cm
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Francisco Goya
Royal Company of the Philippiines
mk214
c.1815
Oil on canvas
327x417cm
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Francisco Goya
Banderillas de Fuego
mk214
1815
Etching with aquatint
24.5x35cm
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Francisco Goya
Desgracias acaecidas en el tendido de la plaza de Madrid
mk214
1815-16
24.5x35.5cm
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Francisco Goya
Preparatory drawing for plate
mk214
1815-16
18.5x30cm
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Francisco Goya
The Bullfight
mk214
c.1816
Oil on panel
45x72cm
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Francisco Goya
El celebre Fernando del Toro,barilarguero,obligando a la fiera con su garrocha
mk214
1815-16
24.5x35cm
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Francisco Goya
The Procession
mk214
c.1816
Oil on panel
46x73cm
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Francisco Goya
Inquisition Scene
mk214
c.1816
Oil on panel
46x73cm
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| Francisco Goya
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1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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